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Cover Charge: NC Artists Go Under Cover to Benefit Cat's Cradle
by Cover Charge
supported by 15 fans who also own “How Come You Call Me”
This Dylan cover really gives me feels
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supported by 14 fans who also own “How Come You Call Me”
This is a very strong sophomore record - No sophomore slump here. This shows Gudasz' growth as a songwriter. She's branching out in different directions musically with some very cool production work. Some of the songs are even better than those from Oleander, her debut LP. While some of those sounds/textures are still present here, this record has some more challenging (and rewarding) results. For fans of Leonard Cohen, Sharon Van Etten, Aimee Mann and Joni Mitchell.
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Austin City Limits Live at The Moody Theater
by Watchhouse (formerly Mandolin Orange)
supported by 12 fans who also own “How Come You Call Me”
Such a beautiful album of some of their best songs. Hope to experience an event of theirs in person like this!
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Delicate and personal folk-pop from Castle Theater: honest observations and reflections presented as thoughtful, well-written miniatures.
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This debut self-titled EP from Mississippian Kate Teague is filled with poignant retro-sounding indie and folk tracks.
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Every Feeling On A Loop
by Josiah Johnson
Josiah Johnson of The Head and the Heart steps out on his own on a record full of sun-dappled indie rock, with booming brass & big refrains.
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Head of Roses
by Flock of Dimes
supported by 12 fans who also own “How Come You Call Me”
Working with her friend and co-producer Nick Sanborn (of Sylvan Esso), Wasner crafts a unique, atmospheric sound, combining electro-pop synths, guitars, and wind instruments, while tastefully altering and layering her own resonant vocals.
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